Investment Opportunities

Davson’s largest single canvas painting. Taking almost six months to complete – mostly whilst on display at the Westpac Plaza foyer in George Street, Sydney. It attracted much public and media attention. It was commissioned to hang in the Sydney Town Hall for international Japan Week festival of 1986.

Turning Point is a pivotal painting in the career of the artist. It has been associated with multiple World First Records or World First’s.

A Time to Grow is of major developmental significance. It marks a break from jig-saw or water pattern motifs which feature strongly in the artists mature work and is the only time such angular design has appeared in her art.

It is in this work that Davson took her multi-layering of concepts and ideas in her art to actual multi-levels in the physical aspect as well. It presents a rare, multi-dimensional work of art of beauty, depth and investment opportunity.

Important milestones are being reached, one after another for the art in the 'A Wondrous Life' series and The Davson Art Hotel.
These milestones are now impacting on the acquisition prices for paintings. to read more click image name link.

'Enjoying Life' could bring together your investment, leadership and artistic aspirations within a fun painting celebrating creation. It presents a rare, light-hearted, visual and investment opportunity

The painting was begun in 1993. At the time, the artist was working on a series of paintings which depicted endangered or vulnerable species from around the world. Several such species are featured in this multi-layered composition.

A confident trilogy of works by the mature artist utilizing subjects she had only touched upon in her career as an artist to date.

To collectors and investors, 'Is This Welcome' and 'Is This Farewell' is of significance in the artist’s career.

For information regarding 'Creative People' as well as 'Origins of the Future' click name link under image

In their lifetime of creativity, many great artists are remembered for one or two significant works, or series of works. For Davson, they are her 'With Gratitude' series and her Water Pattern works. 'Restoring The Gold' is striking in its simplicity. The painting has a tranquil mood yet feels stimulating to the soul.

'Mitchell’s World' is part of the 'Connecting Friends' series. Each original oil painting includes an original autographed hand and foot print by the ultra-marathon,
Pole to Pole athlete Pat Farmer. This painting will accompany 'A Wondrous Life' in The Davson Art Hotel guest rooms.

Driver’s Dream was the artist’s third painting commission. Davson’s art through the 1970’s and 1980’s enjoyed the inclusion of erotic themes. This painting, (and its preliminary work of the same title), are potent examples

Offering Gratitude Together is a tranquil painting depicting celebration, reflection and reverence

Set in a landscape setting, it raises a profound environmental question, 'Is Anyone Listening?' and is the epitome of her campaign for endangered species and environmental awareness.

A precious find of two very rare and yet to be completed paintings from 1984 - 1985, spanning 3 decades, Davson’s 1980’s early career works are becoming highly prized by collectors; this is a unique opportunity. ONLY Creative People is available for sale with bidding options while Origins Of The Future is available at a fixed amount.

Created by the artist in her first year of study at the Queensland College Of Art, Brisbane. The work is a joyful celebration of light and beauty in nature. It provides an example of the experimentation techniques of the young artist.

One of only two large canvas/collage works preserved from the artist’s time as a teacher. Out of a series of works incorporating hundreds of images of babies, this was the only one which was reproduced as a limited edition print. The artist has periodically cut and woven a selection of the print images from the pre-edition process to form alternative works on this theme. A number of these are found in public art collections.

By far the most dramatic and confronting large painting in the career of the artist. It is the only large-scale work painted by the artist as part of a series of images on anti-nuclear warfare. This striking work of art could bring together your investment, collection, leadership and creative aspirations in a most dramatic way.

Created to hang in the square building featured in the work. The majority of this painting was created with Sharon painting in public, in the foyer of the State Office Building in Sydney in 1986. Hung in exhibitions in Sharon’s First Impression Gallery, Sydney, until delivery to the Pittwater Village in early 1988.

In this painting we see an Emu family on the very edge of its environment. Emus in Australia are not endangered species, they are used in this painting as a metaphor for the many Australian creatures which are endangered and existing on the remnant edge of their habitat.

A meditative painting reflecting peace, beauty and courage. It is a very personal statement from an artist who has created only a handful of art pieces for herself, as she has chosen over recent years to work mostly on commission.

Unlocking the Future could bring together your investment, leadership and artistic aspirations. This painting presents a rare opportunity to acquire one of the few Davson works that feature nudes imbedded into landscape. These figures float on large jig-saw pieces, juxtaposed with scenes from a possible ‘high rolling’ life-style.

Created in support of the endangered birds at Barron Grounds Sanctuary near Bowral in NSW. Commissioned in 2001 for the collection of Graham and Jenny Buchan, Sydney, NSW, the artist agreed to donate half the value of the painting to Barron Grounds for the preservation endangered birds

Living Freedom came into existence through the artist dialling a wrong number to a company about which she had no previous knowledge. So she enquired about the company. This secured a meeting with Cheryl Matthews, the Executive Secretary of Mortgage Finance Australia Ltd, which led to the commission to create two paintings for the company foyer.

A dream-like perspective floats between the real and unreal. The design of the work is cyclic. The structure can only exist upon trust, as the gifts and their attendants are situated on leaves that have grown from an item placed upon one of the leaves. Without trust, all would return to the sea, and the magical ambiguous balances and separations that assist all to flourish would disappear

This painting gives glimpses into the Munibung Bunyip’s life, his mining exploits and his friends. The paintings are fun and yet carry deeper levels of meaning about relationship, harmony and the creative energy behind all things and is one of four paintings commissioned in the mid-1990’s for the collection of Club Panthers Cardiff.

This painting gives glimpses into the Munibung Bunyip’s life, his mining exploits and his friends. The paintings are fun and yet carry deeper levels of meaning about relationship, harmony and the creative energy behind all things and is one of four paintings commissioned in the mid-1990’s for the collection of Club Panthers Cardiff.

In their lifetime of creativity, most great artists are remembered for a small handful of significant works. Finding The Balance - Teeth, Claws, Tusks are such works. This set of three confronting, dynamic and detailed works of art juxtaposes endangered species and feral animals in beautiful detail.

In their lifetime of creativity, most great artists are remembered for a small handful of significant works. Finding The Balance - Teeth, Claws, Tusks are such works. This set of three confronting, dynamic and detailed works of art juxtaposes endangered species and feral animals in beautiful detail.

In their lifetime of creativity, most great artists are remembered for a small handful of significant works. Finding The Balance - Teeth, Claws, Tusks are such works. This set of three confronting, dynamic and detailed works of art juxtaposes endangered species and feral animals in beautiful detail.

Bush Relay is fun and striking for its simplicity. It is a light-hearted depiction of a picnic day relay race with the participants being Australian birds and animals. It is a painting to be enjoyed as if through the eyes of a child. This is possibly Davsons most carefree painting.

This painting is happy and restful depicting the artist, 'Koni' and his friends.

This painting has shown in two major retrospective exhibitions of Davsons art; the With Gratitude For The Light exhibition which toured in public regional art galleries from 1999 to 2002, and with the Davson ~ World Leaders & Enlightenment current exhibition on tour

a vibrantly spiritual work of contemplation. It has a peaceful yet provocative influence, with subtle layers of messages. It encapsulates the artist’s resonance and passion for peace and harmony in a way that we hope will transcend the future eras of humankind.

The Platypus Panel of Grand Slam Dreaming is the smallest and most endearing panel in this lengthy painting created by Sharon Davson. Overall the painting is by far the longest in her career to date.

This painting gives glimpses into the Munibung Bunyip’s life, his mining exploits and his friends. The paintings are fun and yet carry deeper levels of meaning about relationship, harmony and the creative energy behind all things and is one of four paintings commissioned in the mid-1990’s for the collection of Club Panthers Cardiff.

In 2011 Pat Farmer ran from pole to pole. Davson was both the official artist and also the first artist to be a significant sponsor of an international sporting event. The event took place across 14 countries. Tribulations reflects some of the challenges the runner and the artist faced in the lead-up to this world record making Pole to Pole run from the North Pole to the South Pole through the Americas.